A Momentary Flow

Updating Worldviews one World at a time

The great escape
Digital technology allows us to lose ourselves in ever more immersive fantasy worlds. But what are we fleeing from?
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read of the day..
…Language is a powerful technology for escape, but it is only as powerful as the literacy of the reader. Not so with cinema. Star Wars marked the arrival of a new kind of blockbuster film, one that leveraged the cutting edge of computer technology to make on-screen fantasy ever more immersive. Then, in 1991, with James Cameron’s Terminator 2: Judgment Day, computer-generated imagery (CGI) came into its own, and ‘morphing’ established a new standard in fantasy on screen. CGI allowed filmmakers to create fantasy worlds limited only by their imaginations. The hyperreal dinosaurs of Jurassic Park (1993) together with Toy Story (1995), the first full-length CGI feature, unleashed a tidal wave of CGI blockbusters from The Matrix (1999) to Avatar (2009). The seamless melding of reality and fantasy that CGI delivers has transformed our expectations of cinema, and fuelled a ravenous appetite for escape. (via Does fantasy offer mere escapism, or escape? – Damien Walter – Aeon)

The great escape

Digital technology allows us to lose ourselves in ever more immersive fantasy worlds. But what are we fleeing from?

-

read of the day..

…Language is a powerful technology for escape, but it is only as powerful as the literacy of the reader. Not so with cinema. Star Wars marked the arrival of a new kind of blockbuster film, one that leveraged the cutting edge of computer technology to make on-screen fantasy ever more immersive. Then, in 1991, with James Cameron’s Terminator 2: Judgment Day, computer-generated imagery (CGI) came into its own, and ‘morphing’ established a new standard in fantasy on screen. CGI allowed filmmakers to create fantasy worlds limited only by their imaginations. The hyperreal dinosaurs of Jurassic Park (1993) together with Toy Story (1995), the first full-length CGI feature, unleashed a tidal wave of CGI blockbusters from The Matrix (1999) to Avatar (2009). The seamless melding of reality and fantasy that CGI delivers has transformed our expectations of cinema, and fuelled a ravenous appetite for escape. (via Does fantasy offer mere escapism, or escape? – Damien Walter – Aeon)

Notes

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    What is reality?
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